| Mingus Moves | |||
| A1 | Canon | ||
| A2 | Opus 4 | ||
| A3 | Moves | ||
| A4 | Wee | ||
| B1 | Flowers For A Lady | ||
| B2 | Newcomer | ||
| B3 | Opus 3 | ||
| Changes One | |||
| C1 | Remember Rockefeller At Attica | ||
| C2 | Sue’s Changes | ||
| D1 | Devil Blues | ||
| D2 | Duke Ellington’s Sound Of Love | ||
| Changes Two | |||
| E1 | Free Cell Block F, ‘Tis Nazi U.S.A. | ||
| E2 | Orange Was The Color Of Her Dress, Then Silk Blue | ||
| F1 | Black Bats And Poles | ||
| F2 | Duke Ellington’s Sound Of Love | ||
| F3 | For Harry Carney | ||
| Three Or Four Shades Of Blues | |||
| G1 | Better Git Hit In Your Soul | ||
| G2 | Goodbye, Porkpie Hat | ||
| G3 | Noddin Ya Head Blues | ||
| H1 | Three Or Four Shades Of Blues | ||
| H2 | Nobody Knows | ||
| Cumbia & Jazz Fusion | |||
| I1 | Cumbia & Jazz Fusion | ||
| J1 | Music For „Todo Modo” | ||
| Me Myself An Eye | |||
| K1 | Three Worlds Of Drums | ||
| L1 | Devil Woman | ||
| L2 | Wednesday Night Prayer Meeting | ||
| L3 | Carolyn „Keki” Mingus | ||
| Something Like A Bird | |||
| M1 | Something Like A Bird, Part 1 | ||
| N1 | Something Like A Bird, Part 2 | ||
| N2 | Farewell Farewell | ||
| Outtakes | |||
| O1 | Music For „Todo Modo” (Take 1) | ||
| O2 | Big Alice (Take 1) | ||
| O3 | Big Alice (Take 2) | ||
| P1 | Big Alice (Take 3) | ||
| P2 | Big Alice (Take 4) | ||
| P3 | The Call (Take 1) | ||
| P4 | The Call (Take 2) |
